Newport News Virginia World Martial Arts and Family Fitness
If you've ever taken an fine art history course or spent fourth dimension in a fine arts museum, chances are you know a lot almost the men who "defined" their mediums. As with other subjects, nearly of what we learn about art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.
Hither, nosotros're specifically taking a await at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's nearly iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, notwithstanding have a paw — in changing the world of fine fine art and how we define it.
Laura Wheeler Waring
Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than thirty years. Afterwards studying the work of painters similar Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is maybe most well known for her series of Untitled Film Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.
Yoko Ono
Y'all might first think of Yoko Ono as a musician and activist, just she's too an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art move, earning the nickname the "Loftier Priestess of the Happening".
One of her almost revered works, Cut Piece, was a performance she starting time staged in Japan; Ono sat on stage in a nice suit and placed scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't exercise information technology, I start to choke."
Betye Saar
Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in plow, part of the trajectory of art history.
Saar was office of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you lot tin get the viewer to await at a work of art, and then you might be able to give them some sort of message."
Frida Kahlo
Information technology'due south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo ofttimes used bold, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.
Yayoi Kusama
Yayoi Kusama started painting at a very young age, but she'southward likewise known for her hyper-existent sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilise mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald'due south work — and her signature grayscale skin tones — as she was the starting time Blackness adult female to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.
Georgia O'Keeffe
Known every bit the mother of American modernism, yous probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, but possibly, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York fine art world, all by painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face up truths about themselves. She ofttimes challenged people on the streets of New York to approximate her race, socio-economic course, and gender — all while dressed as a Blackness human being with a faux mustache and sunglasses, or while wearing compelling statements on her clothes.
Shirin Neshat
Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.
Jenny Holzer
As a neo-conceptual creative person, Jenny Holzer'south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act equally meditations on various concepts, such as trauma, knowledge, and hope. 1 of her more notable works, I Scent You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.
Rebecca Belmore
Much of Rebecca Belmore'due south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous Northward American culture. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.
Louise Bourgeois
While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the primary styles shaping the art globe.
Mickalene Thomas
Heavily influenced by pop culture and popular art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.
Judy Chicago
Judy Chicago was one of the major figures within the early Feminist Art motility. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and civilisation — in the 1970s and before. While at California Country University in Fresno, Chicago founded the first feminist fine art programme in the United states of america.
Augusta Savage
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "trunk fine art". (Only look upwards her near famous work, Interior Curlicue, and y'all'll see what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York Urban center's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her concluding name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.
Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'southward terminal public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World War II.
Catherine Opie
Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an artist, author, theorist, and assistant professor who won an Touch on Honor at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes educational activity is the path to liberation and uses VR and fine art to address global issues such every bit racism, gendered violence, and climatic change.
Lee Krasner
Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).
Source: https://www.ask.com/culture/women-who-changed-world-of-fine-art?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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